Caseus

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May 29, 2026
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I like everywhere at the end of time

Everywhere at the End of Time (also known as EATEOT) is a series of albums by English electronic musician James Leyland Kirby under the alias the Caretaker. Released between 2016 and 2019, its six albums use degraded samples of old ballroom music, largely from the 1920s and 1930s, to portray the stages of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced the project in Kraków out of his fascination with the topic, and made it his final release under the alias. He released each record after a six-month period for listeners to feel the passage of time, and used abstract art pieces by his friend Ivan Seal as album covers. The series drew comparisons to the works of musicians William Basinski and Burial, while production of the later albums was influenced by the aleatoric music of avant-gardist composer John Cage.

I like everywhere at the end of time

Everywhere at the End of Time (also known as EATEOT) is a series of albums by English electronic musician James Leyland Kirby under the alias the Caretaker. Released between 2016 and 2019, its six albums use degraded samples of old ballroom music, largely from the 1920s and 1930s, to portray the stages of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced the project in Kraków out of his fascination with the topic, and made it his final release under the alias. He released each record after a six-month period for listeners to feel the passage of time, and used abstract art pieces by his friend Ivan Seal as album covers. The series drew comparisons to the works of musicians William Basinski and Burial, while production of the later albums was influenced by the aleatoric music of avant-gardist composer John Cage.

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